Gallery
| Artist | Title | Thumbnail | Notes old | Media | Signature status |
|---|---|---|---|---|---|
| George Jo Mess | Garden of Eve | Etching on Paper | Signed Lower Right | ||
| George Jo Mess | Glorious Day | SOLD | Etching on Paper | Signed Lower Right | |
| C. Curry Bohm | Fog on the Shrimp Boats | Watercolor on Paper | Signed Lower Left | ||
| C. Curry Bohm | The Blue Bay of Biloxi | Watercolor on Paper | Signed Lower Left | ||
| C. Curry Bohm | Waiting for the Call of Shrimp | Watercolor on Paper | Signed Lower Right | ||
| C. Curry Bohm | Oyster Steamers of Biloxi | Watercolor on Paper | Signed Lower Left | ||
| Anthony Buchta | A Cottage in the Delta of Miss | Oil on Board | Signed Lower Right | ||
| Harry A. Davis | Bathers and Boats | Oil on Board | Signed Lower Right | ||
| George Ames Aldrich | Normandy Canal | ![]() |
Oil on Canvas | Signed Lower Left | |
| Ruth Bernice Anderson | Waiting for a Friend | Oil on Canvas | Signed Lower Left | ||
| James Eccles | Hobnob Corner | The iconic eatery, located at the corner of Main and Van Buren in downtown Nashville, IN. | Mixed media (gouache, crayon and ink) on heavy paper | Signed Lower Left | |
| Louis Oscar (L.O.) Griffith | Men and Spars | This piece is a re-strike, created by the artist but printed after his death. | Etching on Paper | Signed Lower Right | |
| Louis Oscar (L.O.) Griffith | Derelicts | This piece is a re-strike, created by the artist but printed after his death. | Etching on Paper | Signed Lower Right | |
| Frank Vietor | Locomotive Study | Acrylic on Board | Signed Lower Right | ||
| John (Jan) Zwara | Peonies | Gouache on Paper | Signed Lower Left | ||
| Anthony Buchta | Wintertime in the Valley | Oil on Board | Signed Lower Right | ||
| Orrin Draver | Richmond Winter Landscape | Oil on Canvas | Signed Lower Left | ||
| Margaret Overbeck | Study of a Young Woman | Oil on Canvas | Signed Lower Left | ||
| Edith Woodard Bell | Still Life with Zinnias | Oil on Board | Signed Lower Right | ||
| Oscar Erickson | Building a Road, CCC | This is a very important piece as it was an official work of art entered into the Public Works of Art Project of 1934. | Oil on Canvas | Unsigned, Authenticated, verso. |
