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Artist
|
Title | Thumbnail |
Notes old |
Media |
Signature status |
| Carl Lotick |
Autumn Lane |
 |
|
Oil on Board |
Signed Lower Left |
| William Frederick Kaeser |
Autumn Lane |
 |
This painting appeared in our Fourth Annual Curated Sale of Historic Indiana and American Art.
Original frame. |
Oil on Canvas |
Signed Lower Right |
| Fred Barnes |
Autumn Lane |
 |
|
Watercolor on Paper |
Signed Lower Right |
| William McKendree Snyder |
Autumn Lane |
 |
Recently cleaned; original frame.
This piece sold in our Seventh Annual Curated Sale of Historic Indiana Art on April 16th, 2023. |
Oil on Canvas |
Signed Lower Right |
| Ruthven (Holmes) Byrum |
Autumn Lane |
 |
SOLD
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This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
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Original frame; Cleaned and conserved
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This painting was featured in our weekly email on 11/10/17 along with the following gallery comments:
Ruthven Byrum spent most of his life in Anderson, IN though much of his output consists of tonalist (almost luminous) Smoky Mountain landscapes. Today’s piece gets after the tonal luminism though the setting is unclear. A beautiful autumn landscape, recently cleaned and housed in the original hand-carved, hand-leafed frame.
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This painting will appear in our 2nd Annual Curated Sale of Historic Indiana Art taking place Sunday April 8, 2018 at the Indianapolis Art Center.
"Click here":https://www.invaluable.com/catalog/sbnab2u53c for online catalog and pre-sale bidding.
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Oil on canvas |
Signed lower left |
| Anthony Buchta |
Autumn Lyric |
 |
|
Oil on Board |
Signed lower right |
| C. Curry Bohm |
Autumn Majesty |
 |
|
Oil on Canvas |
Signed lower right |
| George Herbert Baker |
Autumn Path |
 |
|
Oil on Canvas |
Signed Lower Left |
| John W. Hardrick |
Autumn Path |
 |
|
Oil on Board |
Signed Lower Right |
| Carl Lotick |
Autumn Pool |
 |
|
Oil on Board |
Signed Lower Left |
| Jerry Smith |
Autumn River Sunset |
 |
Recent mat and frame. |
Watercolor on Paper |
Signed Lower Left |
| Louis William Bonsib |
Autumn Road |
 |
Recently cleaned; recent frame.
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This piece sold in our Seventh Annual Curated Sale of Historic Indiana Art on April 16th, 2023. View the listing "here":https://www.invaluable.com/auction-lot/adolph-r-shulz-1869-1963-5-c-ccd4873983?objectID=178606235&algIndex=upcoming_lots_lotNumber_asc_prod&queryID=68556529be26609050f1cc05353bbe75<br/> |
Oil on Canvas |
Unsigned |
| Louis William Bonsib |
Autumn Road |
 |
This piece sold in our Seventh Annual Curated Sale of Historic Indiana Art on April 16th, 2023. View the listing "here":https://www.invaluable.com/auction-lot/adolph-r-shulz-1869-1963-5-c-ccd4873983?objectID=178606235&algIndex=upcoming_lots_lotNumber_asc_prod&queryID=68556529be26609050f1cc05353bbe75<br/> |
Watercolor on Paper |
Signed Lower Left |
| William McKendree Snyder |
Autumn Road with Stone Wall |
 |
This painting sold in our Fourth Annual Curated Sale of Historic Indiana and American Art. Provenance: From an established Cincinnati, OH collection. |
Oil on Canvas |
Signed Lower Right |
| George Herbert Baker |
Autumn Shadows |
 |
SOLD
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This painting was featured in our weekly email on 9/2/16 along with the following gallery comments:
George Herbert Baker was part of the Richmond Group of artists but existed largely outside of that assembly. He got his nose bent out of joint with the Richmond Art League and largely shunned their efforts. Baker worked in oil, pastel and watercolor and was known primarily as a colorist. Today’s works, Purple Road and Autumn Shadows (out titling on both) really highlight his infusion of hue into simple landscapes. We don’t see enough purple roads in this life – just sayin’… Both works are in great shape and housed in the original frames. We cleaned the frames up and spaced the pastels off the glass. Then put them back together with acid-free materials. Each is glazed in glare-free glass, allowing the viewer to get right inside the works. |
Pastel on Paper |
Signed Lower Left |
| Paul Turner Sargent |
Autumn Sky |
 |
This painting was featured in our weekly email on 11/7/14 along with the following gallery comments:
Paul Turner Sargent of Charleston, IL began painting in Brown County, IN around 1920. He was impressed by the strength of the colony's movement and was one of many artists who ‘adopted’ Brown County as a favorite painting spot. Sargent’s works often reflect straight-up nature with little to no indication of man’s influence. Here we have a gentle, colorful landscape created in 1930. The painting is not titled nor is the location noted -- Charleston or Brown County, take your pick. The painting was recently cleaned and conserved – it contains no in-painting and it’s housed in the original, hand-carved frame which is unrestored and very cute. A wonderful little ‘gem’ by an artist who fell under the spell of Brown County.
- Curt Churchman, Fine Estate Art |
Oil on Board |
Signed Lower Left |
| Anthony Buchta |
Autumn Sonnet |
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|
Oil on Board |
Signed lower right |
| Anthony Buchta |
Autumn Splendor |
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|
Oil on Board |
Signed lower right |
| Carl Lotick |
Autumn Stream |
 |
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This Lotick painting was featured in our weekly email on 11/13/13 along with the following gallery comments:
Where William McKendree Snyder painted highly realistic, tight Southern Indiana landscapes, there’s Carl Lotick who produced a regular flow of 9” x 14” Southern Indiana landscapes visioned and created in the studio ala Bob Ross. The sky is here and the creek goes there, the trees line the banks and we don’t have mountains. Done. Loticks landscapes look like but actually are not any place on earth. Like seeing some parallel reality. But god-bless-him, he kept at it and painted lots of them.
Otherwise notable, Lotick painted using marginal red paints. And a vast proportion of Loticks are void of red, because his cheap reds oxidized over the years and essentially left the painting. That’s why so many Loticks appear and are in fact, very blue/yellow/green with whites and browns. Void red. Pull a Lotick out of its frame you will see reds on the margins of the site – the part of the board covered up by the frame. Those reds exist in the margins because they didn’t oxidize – reds in the exposed painting oxidized and are gone
But I go on. This painting is a typical Lotick, a fantasy Southern Indiana creek through the beeches in autumn. I love it! Made-up and naïve, decent impasto and a cool old frame. One of our many examples -- check out the Lotick page for more.
Fine Estate is also selling an unusually large Lotick in a very interesting frame at Jackson’s Auction this weekend. See here for more info.
–Curt Churchman, Fine Estate Art
|
Oil on Board |
Signed Lower Left |
| Carl Lotick |
Autumn Stream |
 |
|
Oil on Board |
Signed Lower Left |
