Gallery
| Artist | Title | Thumbnail | Notes old | Media | Signature status |
|---|---|---|---|---|---|
| George Jo Mess | House by the Pond |  |
Oil on Board | Signed lower right | |
| Frank Hohenberger | June Clouds |  |
Photograph | Signed lower right | |
| Frank Hohenberger | Winter Morning |  |
Photograph | Signed lower right | |
| Alberta Rehm Shulz | Mountain Road in North Georgia |  |
Oil on Board | Signed lower left | |
| Wilbur Meese | Children with a Sled |  |
Watercolor | Signed lower right | |
| C. Curry Bohm | Miracle of an April Shower |  |
Demonstration piece done at the Tri Kappa annual meeting in French Lick, IN in 1961 and later sold out of studio (originally priced at $350.00). | Oil on Canvas | Signed lower left |
| Leota Williams Loop | Burning Bush |  |
In the original 'Ginny' frame. | Oil on Canvas | Signed lower left |
| Dale (Philip) Bessire | The Golden Season |  |
Oil on Canvas | Signed lower left | |
| Kenneth Reeve | Cornshocks in Winter |  |
Watercolor | Signed lower right | |
| William Forsyth | Munich landscape |  |
Graphite and gouache on paper | Signed lower right | |
| William Forsyth | Munich Landscape |  |
Graphite and gouache on paper | Signed lower right | |
| Gustave Baumann | Idle Fleet |  |
Woodblock on paper | Signed lower right | |
| Hallie Pace Prow | Southern Indiana Landscape |  |
Oil on Board | Signed lower right | |
| Hallie Pace Prow |  |
Oil on Board | Signed lower right | ||
| Frank Hohenberger | Wild Plum Blossoms |  |
Hand-tinted photograph | Signed lower right | |
| Jane Messick |  |
Watercolor on paper | Signed lower left | ||
| Adolph Robert Shulz | Jacksons Branch |  |
Aquatint Etching | Signed lower right | |
| Gianni Cilfone | Impressionistic creek |  |
watercolor on paper | Signed lower righ | |
| Charles Dahlgreen | Smithsonian Etching |  |
This is one of the etchings that Dahlgreen did as a project with the Smithsonian Institute. Comes with documentation. | Aquatint etching | Signed lower left in the plate |
| Charles Dahlgreen | Farmhouse |  |
This is the second of two pieces we have which were a project Dahlgreen did in conjunction with the Smithsonian Institute. | Aquatint Etching | Signed in the plate |