|
Artist
|
Title | Thumbnail |
Notes old |
Media |
Signature status |
| George Jo Mess |
Reelfoot Lake Bridge |
 |
|
Etching |
Signed Lower Right |
| Charles Dahlgreen |
Winter in the Woods |
 |
|
Etching |
Signed Lower Right |
| Charles Dahlgreen |
Rail Fence |
 |
|
Etching |
Signed Lower Right |
| George Jo Mess |
Winter |
 |
|
Aquatint Etching |
Signed Lower Right |
| George Jo Mess |
Untitled (Sailing Ships) |
 |
|
Etching |
Signed Lower Right |
| George Jo Mess |
Drift Wood |
 |
|
Etching |
Signed Lower Right |
| George Jo Mess |
Ice House |
 |
|
Etching |
Signed Lower Right |
| George Jo Mess |
Fisheries |
 |
|
Etching |
Signed Lower Right |
| George Jo Mess |
Wishing Gate in Winter |
 |
|
Aquatint Etching |
Signed Lower Right |
| Wilbur Meese |
Winter Farmstead |
 |
Nicely presented in acid-free materials and hanging in the gallery |
Watercolor on paper |
Signed lower right |
| Wilbur Meese |
Grist Mill |
 |
|
Watercolor on paper |
Signed lower right |
| Wilbur Meese |
Gray Barn |
 |
|
Watercolor on paper |
Signed lower right |
| Otto Stark |
Early Morning |
 |
This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
This painting was featured in our weekly email on 3/22/17 along with the following gallery comments:
We have a late addition -- Otto Stark's Early Morning (imaged above) was just inserted into the sale. It's an interesting piece -- very tonal! Of historic note is that Stark and J. Ottis Adams traveled to New Smyrna, FL at the end of 1920 and painted there in the winter of 1921. This would have surely come from that trip. |
Oil on Canvas |
Signed Lower Right |
| Hallie Pace Prow |
The Fodder is in the Shocks |
 |
|
Oil on board |
Signed lower right |
| Kenneth Reeve |
Covered Bridge in Winter |
 |
—
This painting was featured in our weekly email on 5/19/17 along with the following gallery comments:
Gallery Comments
Kenneth Reeve moved to Brown County from Chicago where he had been a commerical illustrator. Once relocated to the Peaceful Valley, he studied etching under George Jo Mess and became a very good printmaker. Today's paintings are two cute little watercolors -- Reeve's other preferred medium. Very Brown County! |
Watercolor on Paper |
Signed Lower Left |
| Kenneth Reeve |
A January Day |
 |
SOLD
—
This painting was featured in our weekly email on 5/19/17 along with the following gallery comments:
Gallery Comments
Kenneth Reeve moved to Brown County from Chicago where he had been a commerical illustrator. Once relocated to the Peaceful Valley, he studied etching under George Jo Mess and became a very good printmaker. Today's paintings are two cute little watercolors -- Reeve's other preferred medium. Very Brown County! |
Watercolor on Paper |
Signed Lower Right |
| Frank Vietor |
Nickel Plate Berkshire, Class S |
 |
|
Acrylic on Board |
Signed Lower Right |
| Dale (Philip) Bessire |
Spring Stream |
 |
This painting was featured in our weekly email on 4/28/17 along with the following gallery comments:
Gallery Comments
Dale Bessire had a pretty predictable formula -- large, pallete knife (and certainly brush) landscapes depicting simple, pastoral Brown County landscapes. Many of these reflect Autumn. Spring Stream (Bessire's title) breaks rank with what we often see -- a cute little vernal landscape. It could be today in Brown County with the dogwood and the redbud just showing their colors. And I think, off to the left is that secret grove of morel mushrooms by the fallen Elm tree! Clean, perfect condition, original frame -- a nice compact work. |
Oil on Board |
Signed Lower Left |
| Varaldo Guiseppe (V.J.) Cariani |
Still Life with Zinnia |
 |
This painting was featured in our weekly email on 2/3/17 along with the following gallery comments:
V. J. Cariani spent nearly his entire adult life in Nashville, IN. He was the lifetime partner of famous portraitist Marie Goth and a very accomplished painter himself. While he painted many landscapes, his specialty was floral still lifes. They typically featured flowers from his garden, often feature a blue damask table cloth and the floral output was nearly always large and tightly rendered. Today's example is straight from that playbook. |
Oil on Canvas |
Signed Lower Right |
| Paul Randall |
Studebaker 1945 Manual 'Car and Maintenance of your Farm Truck' |
 |
Included with Paul Randall original 19x25 painting, used as the cover art for the Studebaker manual. |
publication |
na |
